AGENT G First Reviews

Jon and I at it again.
Photo: Jim Baldassare

Theatermania
The play's tone shifts after the battle, when its hero, Hung Tran (a robust and expertly calibrated turn from Paco Tolson) brings The Playwright (played with wryness and a certain sweet nerdiness by William Jackson Harper) to the stage. Hung, an incarnation of Nguyen's cousin, a Vietnamese refugee who survived a horrific journey in the China Sea, demands that Playwright tell his story truthfully, announcing "You're here to help turn this story out correct, playwright."  


I have to give mad props to Andy Propst from Theatermania, the guy has shown me so much critical love in NYC, and I am lucky to have someone so thoughtful in my corner.  


That Sounds Cool
After seeing Agent G, I'm not just a believer again, I'm a thoroughly obsessed fan: Nguyen's latest is not just a tale of Vietnam, filtered through war movies, noir drama, and spy flicks, but the tale of an artist daring to find his voice without compromising his aesthetic. 


Hello, Aaron Riccio.  Aaron reviews everything under the sun and is always on point.  


nytheatre.com
The ensemble of five is superlative. Paco Tolson and Bonnie Sherman are spectacular as, respectively, Hung and three different (and very important) white women; Harper is funny and then moving as the beleaguered Playwright; Amy Kim Waschke breathes life into numerous stereotypes as, among others, a Vietnamese boy and a young Vietnamese woman who works as the housekeeper at a whorehouse. Stealing the show constantly is Jon Hoche, who plays seemingly a zillion different antagonists to Hung and/or The Playwright...


Martin Denton.  A living legend who works tirelessly to legitimaize the work we all do downtown.  Thanks as always, man.


ComicCritique.com

The ensemble matches this litter of intentions each with their own shuffled deck of attitudes and identities, particularly Bonnie Sherman and Amy Kim Waschke, who incarnate an extraordinary library of pop poses and genuine emotional textures, while tenacious comedians Paco Tolson and Jon Hoche screw their incalculable chops to the shticking place.

William Jackson Harper is nervously, exasperatedly masterful as the conflicted-nebbish Playwright who invokes Woody Allen’s and Kevin Smith’s self-referential models to hide behind, but in the last scene there’s nowhere to hide. 

Thanks, Adam McGovern!

Also check out friend of the company Jenn Kim's interview with Qui and I at Pink Ray Gun here.  She came to the show on her birthday.  Amazing.

2009 People of the Year

So much to talk about!

First up, Martin Denton and the good people at nytheatre.com have named me one of 2009's People of the Year!

At the New York Innovative Theatre Awards Martin and Rochelle gave a rousing, articulate speech about the hard work and commitment that goes into making art. I remember sitting in the audience and really digging what they were saying. "They really get it and believe in it," I thought. And that is part of what makes this recognition so special for me. We're all in it together and although they're not performers, they're a big part of who we are and what we do. They understand the struggle and participate themselves. Their staff sees a zillion shows a year and I know I am one of the great multitude who rely on this website for the word on what is going on in the community. I remain completely floored.

Two of the three shows mentioned in my POY bio were shows I did with Vampire Cowboys (Soul Samurai and Fight Girl Battle World) and I have to say I owe a huge debt to them. They are a tremendous group who have done outstanding work for many years and taken me along for the ride. Part of what makes them so special is the quality of the collaboration, and in both of those shows I was a member of an incredible, true ensemble. The third show was Temar Underwood's The Brokenhearteds and again, all of us were up there as one and they all blew my mind. We did it all together.

Secondly, two shows are lined up for next season. The first is Robert Ross Parker's production of Goodbye Cruel World in January with Roundtable Ensemble. The play is an adaptation (Robert's) of a play called The Suicide by Nikolai Erdman and it's fast, furious, and physical in the best comic traditions. It'll be at The Arclight Theatre on 71st street, more details to come.

Following on the heels of that will be the Off-Broadway premiere of Michi Barall's play Iph, Then with the Obie-award winning Ma-Yi Theater. Visionary director and, ahem, Obie-award winner Loy Arcenas, who directed their brilliant production of The Romance of Magno Rubio and the workshop of I__NY, will return for this as well. That'll be sometime in March/April at The Ohio. More details to come.

Support Systems

If you can, you guys should come see Temar Underwood's The Brokenhearteds. I don't mean on closing Sunday, I mean tomorrow. Or next Thursday. We've got one weekend left in the run and we're counting on the men and women of the theatre to show some love and support to an ambitious new black playwright. Not because of that in itself but because everyone got their start somewhere and this is a hell of a start for Temar.

Everyone should see it because it's about us, man. It's about our generation and the things we do for love and art and I guarantee there is something in it for you somewhere because he writes about what we are living. There was an article in the Times this very week about political maneuvering straight out of our show. The characters are artists or dreamers of one kind or another. The people we know and aspire to be. It's like looking in the mirror every night.

Martin Denton, first man and champion of the indie theatre had this to say:

Boisvert keeps it moving briskly, and manages the complicated final sequence—featuring three scenarios playing out simultaneously on stage—deftly. Underwood himself plays Ezra Wesley with real gravitas (he also has a terrific cameo as Peter's boss at the newspaper). Mike Mihm feels precisely right as Peter, the vaguely existential, sexy anti-hero whom we can't help but root for. Andrea Marie Smith is appealing as Halle, and Jon Hoche is chilling in a number of different roles, including the Pakistani Fareed and, perhaps more so, an American CIA operative. Paco Tolson gives another of his trademark excellent performances as Milan and a few other characters (he has a wonderful comic turn as James Blitz, a highly-strung TV news show host).

All in all, The Brokenhearteds makes for entertaining and insightful viewing, and welcomes a talented new playwright to the New York theatre scene.

If you're Equity, use your card. If you're a savvy Facebooker, use the discount codes. If you're a friend, don't wait until the last show.